Monday, December 10, 2012

Simplicity 9649 Tie F



Okay, here is a post for the MAN!

I also know that this pattern is discontinued or antiquated and still available somewhere, but not to fret!  I am sure Simplicity has the same elements hashed out into another pattern one way or another.  I found this pattern to be a good starter kit for a man's wardrobe basics.  Funny why it was discontinued...sad really..

Although I understand this concept, women usually have the upper hand when it comes to fashion from patterns and lots of accessories!
However, I find the choices are skimpy when it comes to men's patterns in comparison.  There is just hardly anything out there for men, so I decided to do this post about a fashion accesory for men, the tie.
I also would like to use up more of my silk taffeta that I have kicking around, and since it is a solid colour, one can accesorize with it.

I also went on a tie bender and made more only because I have lots of rayon brocades which also makes a nice tie to look at.  Do not be fooled into thinking that all ties are made out of silk.  Most of them are, but I did see some made out of 100% polyester in a clothing store I recently went to. 
I think heavier type of silks like shantung, taffeta, charmeuse, dupoini and brocades are suitable in my view. 

(I also know that if you have a tie that says 100% silk and it has some brocade like weaving in the fabric, it is not technically true that it would be 100% silk since most weaved designs would employ rayon threads.)
Good marketing gimmick though...

I did not realise how fast it takes to make these things!  I need only cut out 4 pattern pieces.  Two are for interfacing so, there is little prep time.  However, the hand basting is the only time waster here, so I got to say that this may qualify for one of those quick and dirty 1 hour projects.


I also have noticed that store-bought ties make them slightly different but the pattern in itself has a facing already drafted into the pattern that takes place of the lining that manufacterer's use.  They look the same in the end really.  Unless you want to do it exactly as store bought items...go ahead. 
Store bought ties sew on a lining patch instead of
using a facing


What we need to consider is the fact that we MUST use fusible interfacing!  Sew in won't work. A light weight knit type will work.

Ties of course are one of those few projects that are cut entirely on the bias.  Luckily we only need a metre of fabric. Phew.  Bias cut items I find tend to be fabric wasters.

I used a fusible knit type

Store bought ties use similar interfacing
And so really, ties were not really hard to make at all.  I ended up making 3! I am sure I can make more.  I ran out of interfacing!

The solid burgundy tie is the silk taffeta tie.  Others are rayon brocade
Until next post!

Wednesday, November 21, 2012

New Look 6053 View B. Mimmicking a popular trend

You know when you walk by shoe stores and you look at heels and you think "Awh man, those shoes are too pricey!"

I bet I can mimmick that in clothing.   And sure enough I did!  I saw two pairs of shoes that I wish I could own right now.
  1. A pair of Valentino heels.  Whoa! Not today...($$$)
  2. A pair of Steve Madden heels that were affordable but I tried them on and I swear someone must have yelled "Timber!" (or I did)
What both of these shoes had in common were the off white background -black lace overlay avec jewels.  Well, in the shoe world, I can't make my own shoes...not a chance...but I sure can make jackets or skirts with the same trend.

Hah!

And, if you haven't noticed, I love skirts.  Yep, just add this one to the pile lady!

This is where I love making my own stuff.  I get to choose the embellishments, type of fabric and reduce cost.  And, this number is more or less going to be an evening skirt because I have chosen the type of beads to go with this.
And, be aware that this pattern may be a 2 hour project, but if your going to fancy it up NO WAY...try 3 weeks.
  1. I chose Delica, Mill Hill brand sead beads, and regular sead beads. No bi-hexagonal crystals...too heavy! You may experience fabric sag and eventual stress and tearing.
  2. Hey, you know what? I could Austrian crystal-ize my scalloped hem line....hmmm... projects get into a life of their own
  3. Need black embroidery thread to satin stitch a scalloped bottom edge.  Since the fabric wasn't finished that way...I have to make adjustments.(If I end up doing this)
  4. Cotton Polyester mix fabric with polyester black lace fabric.(Find a sexy and eye catching flower scheme)
  5. The usual hardware : zipper, threads, serging threads, Nymo beading thread, beading needle.
  6. Bead on stable flower motifs in a random colour scheme
  7. May need to line this puppy
Now, the plan of action is to bead first then attach it to the main fabric(if you unlined the skirt...hide your beading thread work please!), embroider the scalloped edge last.  I also have to match the motifs of the lace pattern to smoothly blend the front to back so that it doesn't look odd.  The last thing I need is squirelly looks from people

So these are the colours I chose to use in random beading on flower
motifs throughout the front and back
I have so much beads in all types that I could open my own store.  It is really hard to choose colours when you like all of them! (oh dear...)

The next step is to orientate your lace fabric so that the flower designs are running in the correct direction.  This is very important for one way designs, however, I can do this in either both because the look would be completely acceptable but I chose to have my flower motifs to run up-down, not left-right.
This is where the cost of your projects can go up.  Stripes, matching polka-dots, check gingham designs, animal prints or plaids are usually hogs because you have to match them up.  Luckily for me I am not really a fan of polka-dots...


Here I cut the fabric running up-down not left-right
Below the dashed line is my hem allowance I added of 10.16 cm or 4"(not to scale).
I wanted to have the lace below the fashion fabric for flair
Front piece shown here

But throw some natural flair of flowers or chintz and we'll talk.

Next thing to consider is the "Out of bounds" beading areas.  This is common sense, but let's list them anyway:

DO NOT:
  1. Bead within a dart area
  2. Bead along any hem, seam allowances or stitching lines
  3. Bead within a pleat or tuck area
  4. Bead within 2 cm of any seam, stitching lines or hem allowances (Machines get stuck or they crush beads).  If you do, you have to resort to hand sewing...only when needed right?
  5. Bead in the bum bum area.  This is going to hurt every time you sit down if you bead here.
For these reasons alone this is why I don't really like buying fabric with pre-made beading or machine embroidery.  It gets messy and sooner or later you run into crushing beads or the embroidery starts to unravel because it was cut somewhere along the way.
I could be a fool about the whole thing but I could not make it work right.


Bead work progress in the left side of front...somewhere




Another area on the front with random beading



Next thing to do is decide how to attach your lace overlay to the fashion fabric.  This can be done in 2 ways that I can think of.

  1. Can attach the overlay to the fashion fabric by sewing it to the top waist line and zipper seam.  You could sew your darts separtely as well as the side seams.
  2. Sew it together as one piece on the side seams, zipper seam and darts as well as the waist line.  This way, your lace overlay will be secured in a couple of more places.
I think the second choice allows for a longer life out of your garment.


Now that I have finished beading the main areas of the front and back piece, I have to first sew my darts.  This was done sewing 2 layers as 1 so that the lace is attached in 4 places at least.

The back piece progress.  I had to bead outside the seat area
so I beaded more in clusters in the back mostly along the sides


Then serge together the lace and the fashion fabric together at the waist line with the darts pressed towards the centre front.
Do this for the back piece as well having the darts pressed towards the centre back.

Serge the bottom of front and back fashion fabric only at this point.  Remember I have an extra 4 inches of lace at the bottom that I added, so I can't serge the sides together yet.

I have to then hem the bottom of the front and back seperately. (3.2 cm or 1.25 inches) (You'll see why)

Here I have hemmed separately both sides of my fashion fabric (cement colour)
Then I serge the entire length of the left and right side to join lace + fabric
Then sew the sides together

I am also planning on doing a scalloped edge at the bottom hem of my lace only so I am actually finishing 2 hems on this skirt (either way, I am doing 2 hems)

Okay, once the fashion fabric hem is done then serge together the sides the whole length down.

Then, sew the sides together leaving the left side open above the notch for the zipper.

I tried drawing out the scalloped edge but my template wasn't working...I'll have to leave it.

When I finished the lace hem, the crystals were just too bulky and I didn't think they looked good for this project.  I do have another dress project in mind that it would work for, but looking at it.... it just wasn't right.

I have tons of beads on this already so I thought anymore then it would start walking over to the gaudy zone.


The finished skirt
(OPI The living daylights and Crabtree & Evelyn Red Shimmer lip gloss)

Alright, this project can now be placed inside a garment bag or whatever.  When out having dinner, just throw on some glitter nail polish  and some glitter lip gloss and away you go!

Bye for now!!!

Friday, November 16, 2012

Marfy 2204 Blouse size 48. Everyone needs a white blouse!

You know when you need ANOTHER white blouse when:

  1. Your work place unintenionally ruins them
  2. You MUST have a closet section devoted to whites!
  3. You make one yourself because there is always one element in store bought items that annoys you

For reason 2,  I have already done in spades but for reasons 1 and 3 this is where I kind of get annoyed.
As for my work place at the time being, I get permanent stains on my cuffs and because of that, the bleaching I need to do wears the fabric out faster than I think.  This is where you might consider store bought blouses at disposible prices.
This is my personal preference but I have been seeing back yokes on women's blouses and it ANNOYS me.  I find this element on blouses for women to be too masculine.  I want to get away from looking like a box. (I only disagree with this design part personally because I have seen women wear men's dress shirts.  I thought that they might think that I don't notice these things...but I do.) There are only a few examples where this is an exception.  Counter to that, I have been seeing on backs of men's dress shirts shaping darts and that is too feminine for men.  WHATEVER!

So, what do I do?  I make my own....obviously.  So, I found looking through my current stash, I don't have what I really want, so I order a Marfy pattern....well who would have thought that of me?

And, as I pointed out, I really do get my money's worth here because for the style and price it's great.

So, this is all about putting a blouse together.  Yes, it's white, poplin material, and not to be worn to work.  BONUS!


Look at this!
No centre back seam
No yoke
Simple mandarin collar
Princess seams
Pleats on top of  3/4 length sleeve
Fancy cuffs
10-15mm buttons
Yep, this pattern pretty much defines the feminie shape...not like those yokes I see on blouses and women wearing men's dress shirts....bit of a cop out if you ask me.

Well, enough of my yoke rant.  We shall precede. 

Don't forget my disclaimer: USE THIS AS A GUIDE. I AM NOT A PROFESSIONAL!

I don't know what year this pattern came from, but it has been on the Vogue website forever.  I bought it thinking it would become obsolete or run out of stock.  I got it!

So, let's begin:

Step 1:  Take inventory of your pieces.  You may have to draft something, or something might be missing(unlikely) but don't rule it out yet!

For this pattern you should have:

Front piece (cut 2)
Side front piece (cut 2)
Side back piece (cut 2)
Back Piece (cut 1 on fold)
Sleeve piece (cut 2)
Front Button facing (cut 2, apply interfacing)
Cuff (cut 2 on the bias)
Cuff facing (cut 2, apply interfacing)
Collar (cut 1 on fold on the bias)
Collar facing (cut 1 on fold on the bias)

Other supplies needed:

10 buttons of 15mm size (6 for the front and 4 for the cuffs)
Fusible interfacing
Matching sewing thread
Matching serger threads
Fabric needed 1.5 m of 1.4m wide fabric

Now, my fabric has some stripes but it is all a white based fabric, so I am not that concerned about the matching too much, but I think I can watch it closely anyway.

I have drafted in a 1 cm seam allowance with a 2 cm hem allowance.  Standard for me.
Therefore, substitute your own drafted seam allowance where suitable. I may have to remove the hem allowance.  Blouse is quite long.

To finish your seams, choose:
  1. Zig-zag stitch
  2. Serge shut
  3. French seam
  4. Pink shear seam allowance
  5. Bias bind seam...bulky?

Step 2:  Cut out 2 of the front buttonhole facing with the L seam with notch and apply interfacing to the wrong side of each piece.  If you use fusible, to heat bond it to the fabric press directly down. This should provide an air bubble free application.  I also think it is safe to apply the fusible interfacing on the lowest minimum hot setting it can take.  I have singed/melted things in the past.


L notch match point is at the top at the neck line
Press under 1 cm on one long side of facing.
Sew right sides together for facing on the inside


The reason why we need to cut 2 of this piece is because there is no extension for the left side to fold back for a self facing.  Some patterns have this already drafted for one of the sides depending on the gender the shirt is for.  It is perfectly acceptable to apply two facings to both sides, but be aware that the buttonholes are on the right side for us girls!



Step 3:

Match the notch on the L match point at the top of the centre of the front. Since the picture indicates that a contrasting blue facing exists on the inside of the shirt, we must therefore:

Pin right side of facing to right side of front piece.  Press under 1 cm of the unpinned side of facing.  Sew the facing to the centre front.  Press this seam and turn to the wrong side of garment.


Press facing to wrong side and edge stitch facing
Front facing is done

Step 4:

With right sides together, sew the A seam.  This consists of the back piece to the side back pieces.  Press seam out.
If you feel the need to staystitch the curve on the A seam go ahead, I didn't need to.  See, I'm still lazy.


Pattern pieces have an A match seam on the back and side back


Step 5:

With right sides together, sew the B seam.  This consists of the front piece to the side front piece. Press seam out.  Again, staystitch this curve if you have to.


Sew the B match seam on the Front-side front.
Step 6:

With right sides together, sew the C seam joining the back half to the front half of the blouse. Press seam. 
With right sides together, sew the shoulder seams together and press.  The shoulder seam does not have a letter match point. 


Step 7:

At this point, you want to finish these 6 seams if you haven't already.  This should be done before you set the sleeves in.  I chose to serge shut my seams.  This is very common in store bought clothes, but if you choose to sew french seams, then, your seams are already finished.

I serge with the top side facing (upper looper thread) towards the centre of the back.  All you need is a 3 thread serge.  But, if you must do a 4 thread, do whatever you want


The serge here is the upper looper thread facing up
pressed towards the centre back of the shirt
Fabric too thick for French seams



Step 8:

Press all  6 finished seams towards the back.

Step 9:
Set in the sleeves.

MAKE A MARK ON FABRIC WHERE THE PATTERN SAYS : "Front sleeve"
This is very important to have this side facing towards the front of your shirt. Sometimes, set-in sleeves are perfectly symmetrical, and other times they are not, so make sure to do this.

First, with right sides together, sew the seam joining both sides of the sleeve. 

Then press seam and serge shut so you may know what the right side is.  Once again, the upper looper should be facing towards the back of your shirt which should match up with the direction of your C seam.


For this sleeve, the picture suggests to pleat the sleeve cap until you acheive a perfect fit.  Now, keep in mind that pleats are a variable at this point.  What I mean is, you can have many pleats (small size) or fewer pleats (large size) to bring your sleeve cap to fit right without having to make a gather stitch.  I could be misinterptreting the picture, maybe it is gathered, but NO!  The pattern instructions say PLEAT.  Whatever you want to do, that is fine.

I managed to fit 6 pleats to ease the fit of the sleeve cap.  I also recommend that the pleats be done between the notches on the sleeve cap.  There is a middle notch on the sleeve cap which is there to match up to the shoulder seam, so make sure you mark three notches on your sleeve cap.

Also, when forming the pleats, have them directed towards the back of the shirt.  It looks better this way.  I seldom see them directed towards the front.

Step 10:

Press sleeve seam,and softly press the pleats on the right side and serge shut. I realise that this is a closed loop now but at the end of your completed serge, the serge trail can be fixed.

Step 11:

Sewing the cuffs.

Now, Marfy has 2 cuff pattern pieces that one is used for a facing, which is the larger piece that is cut on the grain.  The other has a buttonhole marking that is cut on the bias which is the outside piece that is smaller than the other.

Apply interfacing to the wrong side of cuff facing
This wll be the piece that is larger and cut on the grain
With right sides together, sew the bottom of cuff pieces together
The pieces won't match up on the top

Here I have pressed out 1.2 cm (1/2 inch) on facing to match up with the other side

Once you have pressed out the difference in area to line up both ends of the cuffs, with right sides together, sew the side of cuffs leaving the top open.  Clip corners but be careful. Press out seams.  Baste top of cuff.


With right sides together,  pin prepared cuff to the sleeve end matching the D match point.  When finished, the cuffs will face downward.
Sew seam and press seam towards cuff.  Finish seam.


Finished cuff

Anyway, I don't know how else to deal with the cuff as the pattern pieces are and what the picture shows.
Sometimes we just have to improvise and make do.
I am skipping the buttons and button holes on my cuff.  Just because I wanna!

Step 12:

Attaching the collar.

This type of collar is a simple stand or mandarin style of collar. It is also a neck band on other full collars.  In the picture, the edge of the collar ends at the beginning of the button hole facing.  I am going to change that to sew the collar the entire length instead, so I need to draft an extra 5 cm from the fold and 1 cm at the front end. I could have done it the way the picture is, but I think my fabric is too thick!
Plus, I actually don't quite have enough fabric to cut these two pieces on a bias fold, so, I will have to cut it on a straight grain fold, and to me it looks fine.  It basically matches up with your other straight grain pieces, but, oh well.

Press  under 1 cm to the wrong side of the uninterfaced piece.

Pin the right side of the interfaced section to the right side of neck line on blouse. You will have a 1 cm more room on your collar at the end of the button hole facing at the front of the blouse.
This means you must match the end of your centre front 1 cm in from the collar on the long side.  Match notches.
Sew right sides together the interfaced section to the top of the shirt on the long end from centre front to centre front.
Press up towards the collar
With right sides together, sew the curved end of the uninterfaced piece to the interfaced piece.
Baste the open end of the uninterfaced collar to the sewing line from the interfaced piece.  Sew a edgestitch along the bottom of collar to close it.


Press under 1 cm to the wrong side




There is a 1 cm over hang past the centre front


Step 13:

Button hole sewing

Mark the position of your button holes in the centre of your button hole facing.  As the pattern piece suggests, sew buttonholes running vertically.  I suggest JP Coats dual duty all purpose sewing thread.  It is really strong and it won't break and fluff up.

Step 14:

Hand sew your buttons in place!  I think it is better this way, plus they won't fall off so easily.
I actually ended up using a 12 mm button size instead.  Works just fine.
Step 15:

Finish the hem.
Choose to finish your hem any which way you want.

Step 16:

TA DAH!  We're done!

Tuesday, October 16, 2012

Marfy Jacket 9609 size 48

Greetings! 

This is the first Marfy pattern that I will show step by step (my interpretation) of how we will be putting this jacket together in still photos just like any sewing pattern paper instructions.

DISCLAIMER

Please be aware that the ads and websites selling Marfy patterns say that they are for experienced sewers and they mean it!  Marfy assumes most people who sew their patterns have experience. 
(I have modified the lining that was not provided when the pattern was purchased.)So for those who do not fully grasp what I am showing or are beginners, please email me for any corrections or questions with the email link provided

Use this as a guide only: I am not a professional!

Keep in mind that this pattern is how I am putting it together, and perhaps you may have other ways.  I am doing this for the public and nobody is paying me to do this nor am I employed by any companies whose patterns I choose to make.(Any way you put it together and any mistakes you make,  I am not responsible)

Now that we got that crazy disclaimer out of the way, let's tackle this Marfy winter jacket pattern:
(Oh, by the way, I worked on this post for about a month, so any omissions or mistakes please let me know.)

This may be helpful if you actually have the pattern to follow along, otherwise whatever...
Step 1:

Admire and study the company's artistic drawing of the finished product.  You can make your version in any colour.(Well, duh).  I am not sure but I think this pattern belonged to the 2008 collection

Here we have three 28-30 mm sized buttons (yeah that's big),
Bust dart with topstitching(optional)
Slit pockets
Raglan type sleeves(seam topstitching optional)
Option for the upper collar to be in a contrasting or complimentary  hue
Centre back seam
In this picture, the black collar is the upper collar
They DO NOT show how the lining looks but can see its fully lined

I chose to make mine in a dark plum/aubergine colour only because I have a weakness for aubergine plus the 80/20 wool melton/rayon blend was 50% off!

Take inventory of what you need, and figure out what needs to be cut:

Matching thread for sewing
2.8 m of 1.4m wide fabric.  (1.4m wide = 55 inch wide fabric and 2.8 m = 3.1 yards)
2.8 m of lining of 1.4 m wide or
1 m of interfacing sew-in
matching thread for serging or topstitching

Pieces to cut:

Cut 2 front pieces of fashion fabric
*Cut 2 front pieces of lining (Modified)
Cut 2 front facing of fashion fabric
Cut 2 back pieces of fashion fabric
*Cut 1 back piece of lining (Modified)
Cut 2 side back pieces of fabric and Cut 2 lining
Cut 1 on fold of upper collar fabric
Cut 2 upper sleeve fabric on bias cut 2 lining
Cut 2 lower sleeve fabric on bias cut 2 lining
Cut 1 upper collar sew-in interfacing
Cut 2 sew in interfacing for front facing

** I did not see any need to staystitch anything in this project.  The wool fabric was 1mm thick, so it wasn't bound to stretch at all. If you must do the stay stitching be my guest.  (I know I'm lazy)**

Step 2:

Make your measurements, add your seam and hem allowances where needed.  For this size 48 pattern I need only use a 1cm seam allowance and 2 cm hem allowance.  The only place where I added a 2 cm seam allowance is in the centre front only because it is easier to draft in with the 2 cm hem at the bottom of the coat.

****Do not be alarmed by the seam matching lettering scheme.  As far as my research has been with historical patterns, this system has been in use for a couple of centuries******

Step 3:

I did not serge my wool melton fabric.  It was very stable and the edges did not fray at all.
Cut out your pieces with allowances and the cutting layout. With mine it may not have been the most efficient.  The 2 piece raglan sleeve pieces are cut on the bias, although I don't know what the advantage of that is.(Maybe to prevent having to sew a gathering stitch...I don't know)

My method for longevity:
  1. Baste a running stitch for the roll line and centre front where buttons are placed. This will show you your line on either wrong side or right side of the garment
  2. Baste a running stitch along the fold line of the pocket facing of the front and side back pieces
I only do this because my white marker rubs off too easily, and it's good practice.



Sewn bust dart, basted roll lines, centre front with buttonhole
placement and basted fold line of pocket facing creates less confusion
when fabric markers fail on certain types of fabrics.  Do this for both sides
Shown here is the Right front piece


Step 4:

Sew bust darts on front pieces on the wrong side.  Press the dart towards bottom hem.  Baste edge of dart down if you want, but not required.

When adding your seam allowance to the dart in the front piece
DO NOT cut out the dart area here. Keep the triangular dart area intact



Sew bust dart and press down towards hem.
This ensures that the drafted dart will align with the
edge of your front piece


Step 5:
Sew centre back seam. Press seam out.

Here, at the top of the pattern back piece it says:
"Seaming half back"



Two back pieces sewn together giving a reference
to the centre of the back.  Press out.  Top of back shown here

The back pattern piece says that this is also half of the back, so there must be a seam here and it's the back piece.


Step 6:
Sew side back seam to back pieces.  This is the match point V seam.



On the side back piece is a V.  Match up with corresponding V
from the back piece. Bingo, they go together
With this picture of the side front piece, do you see a notch where the grain line arrow is?  With my experience using Marfy patterns, this is not a match notch to another piece. It only tells you that is where the grain line is, however, the one beside it is a notch to match with another piece. Or maybe I'm wrong, but I've seen it so many times!






The pattern pieces of back and side back have a V match point.
This is the seam to match together that forms the side back seam.
Matching letter points is key
 
Step 7:

Apply sew-in interfacing to the upper collar and coat facings to the wrong side of fabric.  A hand sewn runnnig stitch is what I do, but if you choose to machine baste it, fine do that.



I used buckram interfacing to the upper collar.
The pattern piece says: "Whole half back on the grain".


When a pattern piece says: "Whole half back on the grain", what this means is you have to cut this piece on a fold.  There is no upper collar seam in the picture, so keep in mind that when you cut pieces on the fold the fold acts as a makeshift grain line, plus it is one half of a whole piece and the fold is the centre of the back.

These pieces are the front facings of the jacket.  The lining attaches to this piece
shown later.  Buckram interfacing is used here on the wrong side of the facings.
Notice that in both the upper collar and front facings, there is an "O" match point, which tells you that this is where a seam exists for these two pieces.  The front facing pattern piece is labelled "Inner" which tells me that this piece is considered to exist on the inside of the jacket, but as a facing, you need to cut 2 pieces of the fashion fabric, not the lining.

Step 8:

With right sides together, sew the centre back seam on the under collar that is part of the left and right front pieces.  Press seam out.

With right sides together, sew the O match point on the front facing to the over collar.  Press seam out.

On the pattern piece, it says "Seaming half back"
Marfy drafted the under collar to the front piece

The curved bottom of the front facing,  faces towards the
outside of the piece.  Basically away from the
centre of the over collar
 Step 9:
Sew pocket lining to the front and side back pocket facing.  The H match point seam for the pocket lining exists here. DO NOT sew the front and back pocket linings together yet.






With right sides together, sew the pocket lining to
the pocket facing.  This is the H seam





Press seam towards the lining


Top stitch the pocket facing opening with any width you want. I chose a 6mm(1/4 inch) width.  This is optional, but it will keep your pocket facing from billowing out to the outside. Press pocket facings towards the wrong side of jacket.

With right sides together, sew the pocket lining together.  The pockets will eventually be sandwiched between lining and outer fabric.



The pins show you where to stop and start for the side of
the pocket opening (notch on pattern or edge of facing).  After that side front D seam is done
sew right sides together of front and back pocket lining pieces
together, enclosing the entire pocket piece.  Do this for both sides


Step 10

Sew sleeves.  Sew with right sides together, the short seam joining the upper and lower sleeve.
Sew the long seam joining the upper and lower sleeve right sides together. Press seam out.

If a sleeve pattern piece says "Stuffing" what it means is that this is where you would attach the shoulder pads. 

Personally, I HATE SHOULDER PADS!!!!  I look like some 1980's freak or a macho football player, and on me they just look stupid, so I am not including that in these instructions.  I would suggest looking that up in any "How to sew everything" kind of book.
My pins in the two pieces indicate the right side of the fabric.
Just one of those things that I do
You want mirror images here.


Step 11:

With right sides together, sew the D match point seam of the side back piece to the front piece through all the thickness. Since there are pockets, you must start and stop above and below the pocket openings. Press seam out.

Always remember to match up your notches where they exist! This is important because, in some cases, you need things like pockets to line up equally on both sides as well as bust darts.(It would look pretty weird if one bust dart wasn't level with the other side?)

Step 12:

With right sides together, sew the sleeves into the armscye hole. There are 3 notches and seams that will make it fit correctly.  I do not see that it can match up any other way.

There is no need to make a gathering/ease stitch for the armhole.  This two piece sleeve is very structured.
Starting from the back of the jacket, the first notch the armhole matches the V seam on the jacket.  The next notch on the side back matches the smaller seam on the sleeve and the D seam matches up with the notch on the sleeve.

Step 13:

Sew the seam connecting the undercollar all the way to each side of the sleeve seam effectively closing the seam where the under collar exists.  This will be concealed by the over collar when completed, which is very similar to a notched collar.

Lining: I serged all of my pieces because it frayed like crazy.  That way, I have even edges to sew and hem with.


Cut with drafted seam allowances just like the fabric pieces.  I also cut the lining hem flush with the pattern  pieces.  Therefore, I omitted the 2 cm hem allowance.

Step 14:

With lining, the modification for the front and side front pieces are that we do not have to cut out the pocket facing.  Fold it back and cut straight down.  This seam will be closed.

With the front piece the major modification is that we do not have to cut out the undercollar area.  We need to trim off where it will join to the over collar minus the area of the front facing.  What we should see is a small strip for the front piece.  You may want to draft out by tracing a new pattern piece for the front lining.
(I can be completely wrong about this approach, but I saw in the end that it worked for me!!)


Where I have superimposed the over collar with the front facing pinned
on the front piece reveals that the left over area is what we need for the lining.
It looks like a small strip including the bust dart.
Also, omit the pocket facing on the D seam
 Sew front bust darts just like in step 4.


Step 15:

With the back piece, measure your centre pleat distance from the fold and cut 1 piece on the fold.  I drafted a 4 cm pleat.  You can choose any width you want.  I have usually only drafted a 2 cm pleat in other projects but I wanted 4 cm for this one.

Then, mark the pleat distance from the centre fold on both sides and bring right pleat line to the left.  Press pleat for the entire length of you back piece.  (I have no idea if pressing the pleat to the right or left on the lining is any indication of gender specific clothing....must look into that...can anyone tell me?)


Here I cut 1 piece on the fold 4 cm away from it.  Mark your drafted
pleat line down the entire length of lining




Next, bring the right pleat fold line to the left in the direction of the
top arrow (R to L) on the right side of the lining

To hold pleat in place, sew in intervals down the 4 cm ditch line on the left side to permanently hold the pleat in position.  The sewing intervals can be anywhere you want.  3 is usually enough.



Sew a straight stitch along the left fold line starting from the top
for 10 cm thereabouts, stop, then resume 10 cm down further for another 5 cm and
again leave a space and continue stitching until the bottom of lining (for example)

Step 16:

With right sides together, sew the back and side back V seam along the entire length.  Press seam out.
On the D seam (front-side) there is no pocket facing
needed here, so cut straight down the length of the lining
Step 17:

With right sides together, sew the front and side front D seam omitting the pocket facing from both sides.  Sew seam shut.  Press seam out.

Step 18:

 Sew sleeve lining just like in step 10. (omit the 2 cm hem allowance).

Step 19: 

Pin over collar and front facing joined O seam piece to the under collar and front piece. Sew with right sides together.  Key point of the O match seam should sit where the roll line on the front piece starts.  It fit there logically, I don't know where else the O seam would go to the front piece.


Press the roll line so the collar will lie naturally when finished.

Step 20:

With right sides together, attach the lining to the Over collar/ facing piece and press.

Understitch this area so the lining doesn't pop out while wearing it. You may not have to do this

Step 21: 

Hand stitch the upper and lower collar together so that they don't separate.
This is done on the inside of the jacket, so nobody will see some hand stitches binding the upper and lower collar together within the seam allowance.  If this step isn't done, your collar and jacket will fall down on the back side.

All that needs to be done is a loose whip stitch across the length of the joining pieces.

Step 22:

Hem and button holes- The end finishing touches

Press under the drafted hem allowance you did for the fashion fabric and lining.

(I pressed under 2 cm for the fashion fabric and the lining.  The lining will lie nicely with the fashion fabric even though I cut it flush with the pattern piece)

However you wish to finish the hem on the sleeve and the bottom of the jacket, I did it as I always do.
Keep in mind that no industry (store bought items) do it this way that I have seen.  I suppose it doesn't matter, at this point you do what makes you happy.

I baste this because if I don't, the lining  always end up with the seam mismatching the fashion fabric seam.  It won't shift this way.

I will baste my lining to the fashion fabric and hem hand sew
the lining




This is the bottom of the jacket hem stitched 1/4 inch or 6 mm
just like the sleeve lining attachment


Ok, here is where my sewing machine freaks out.  I don't own a top of the line machine, so, since I only have 3 buttonholes, I have to do this by hand.  If the layers of fabric weren't so thick, and my machine could sew a button hole for a button larger than 25 mm (or 1 inch) it won't freak out.
I guess I have to sew a hand stitched buttonhole made for a button that is 28mm.  But, to be honest, a strong buttonhole stitch has a very long life.

The only difference is:

A hand sewn button hole needs to be cut prior to binding the cut edge with a button hole stitch.
(So, once you cut your fabric you must finish it by hand)
The size of your buttonhole is determined by = (width of button + the thickness of your button) best done in mm.

Normally you need to use thicker threads when hand sewing buttonholes, especially when you have thicker natural fibres

Can make the button hole any size you want.  No limitations unlike my machine.


**DO NOT ATTEMPT THIS UNLESS YOU PRACTICE FIRST...NO, THEY WON"T LOOK
 BEAUTIFUL ON YOUR FIRST TRY EVER!!!**

Remember, that your buttonholes are part of the aesthetics on your work presented to the public eye.  Make them look good.

Hand stitched buttonhole instruction will be done in the future.  I don't have a quality video camera, so, it won't anyone justice if I have a bad quality video.


OK.  Take out any remaining basting stitches from the roll line or the centre front button hole placement and you are ready to paint the town red.

Bye for now